The musical careers of his father, Pattabhiramayya, and his guru, Parupalli Ramakrishnayya Pantulu, are described in detail, giving us the flavour of a life in music those days. The opening chapters offer a bird’s-eye view of the literary and musical culture-scape of (united) Andhra Pradesh and sketches the context for the emergence of the Balamuralikrishna phenomenon. In an easy style, Sai gives a thorough account of all three aspects, bringing to the fore the rich and complex life Balamuralikrishna led: a life powered by immense talent and confidence in his own destiny. And it is in this context that The Many Lives Of Mangalampalli Balamuralikrishna, a new authorised biography of this enigmatic musician by critic Veejay Sai, piques interest.Ī Carnatic musician’s career is assessed mainly on three counts: his lineage, performances and recordings, and the disciples he leaves behind to continue the lineage. ![]() In his quest to transcend aspects of tradition he deemed inessential to the music, however, he drew sharp criticism from those who took a more conservative approach. Described variously as a phenomenal musician, a prodigiously talented and versatile performer, a maha vidwan, and an enfant terrible, Mangalampalli Balamuralikrishna is remembered as much for his command over the complex art of Carnatic music as for his astonishing prowess as a performer.
0 Comments
Leave a Reply. |